For other NFTS diploma courses
- Assistant Camera (Focus Pulling and Loading)
- Assistant Directing & Floor Managing
- Cameras, Sound & Vision Mixing for Television Production
- Creative Producing for Digital Platforms
- Directing Commercials
- Factual Development and Production
- Graphics and Titles for Television and Film
- Location Sound Recording for Film & Television
- Model Making For Animation
- Production Accounting for Film & Television
- Production Management for Film & Television
- Script Development
- Sports Production
- Writing and Producing Comedy
- The world's first Diploma course in Writing and Producing Comedy.
- Delivered in partnership with Channel 4
- Part-time, evening course
- Regular Industry speakers
- Develop and write an original show and make a taster tape.
We welcome EU/EEA Students. Course fees charged at UK rate.
“This has been a fascinating job. My Tuesday evenings are a real joy. One thing I've learned is that people shine in different ways and at different times. When it comes to comedy you can't write anyone off." Bill Dare Course Tutor
Writing & Producing Comedy commences in January each year. Students are taught by the renowned comedy producer and writer BILL DARE supported by guest sessions from the people responsible for some of the UK’s most iconic UK shows including Peep Show, Father Ted, Have I Got News for You, Spitting Image, Horrible Histories and Green Wing.
The course is part-time (one evening a week and occasional Saturdays) over eighteen months and is delivered in central London. You will be expected to spend at least 8 hours a week working on assignments for the course. You will leave the course with a portfolio of material developed during the course, this could include a ten-minute taster tape of an idea you have developed, or a full script and some sketches and one-liners.
Specifically you will learn about:
- Comedy landscape
- Radio comedy
- Panel shows and formats
- Story structure
- Narrative TV comedy
- Script editing
- Topical one-liners
- Outlines and treatments
- Commissioning processes
- Working with performers
- Compliance issues
- Working with writers
- Writing briefs
Students graduate able to:
- generate comedy programme ideas
- create a narrative comedy, sketch show or comedy entertainment show
- pitch ideas to commissioning editors
- work with writers and help them develop their ideas
The course advisory board includes:
- Dawson Bros – The Peter Serafinowicz Show, That Mitchell & Webb Look, Big School
- Sam Bain - Peep Show, Fresh Meat, Rev
- Richard Boden – Blackadder, 'Allo 'Allo, IT Crowd
- Gregor Cameron – Katy Brand’s Big Ass Show, Fighting Talk
- Saurabh Kakkar – Head of Development – Comedy – Big Talk
- Graham Linehan – Father Ted, IT Crowd, Count Arthur Strong
- Caroline Norris - Horrible Histories, The Armstrong & Miller Show, Dead Ringers
- John O’Farrell – Spitting Image, Have I Got News For You, Novelist
- Richard Preddy – Green Wing, Campus
- Lucy Robinson - Co-Founder Little Comet Film & TV/Head of Comedy Brothers and Sisters
- Lorna Watson & Ingrid Oliver – Watson & Oliver
"The NFTS course gave us great access to industry contacts, and we went from having no professional experience to working regularly on BBC radio and television. This diploma is a brilliant way of learning about comedy while strengthening key contacts in the TV and radio industry. It was invaluable to our career progression." Ed Amsden/Tom Coles
"I went from having a well-paid, secure, boring job in insurance, to having a badly-paid, insecure, cool job in comedy. I quit my well paid-job in insurance and ended up with a terribly-paid job in comedy. If this sounds like a good idea, then this is the course for you... Without this course I'd still just be writing jokes in my parents’ basement... Now I've got a degree they've let me move back into the main house.” Joel Pitcher
So you think you’re funny? Apply Now!
SCHOLARSHIPS AND BURSARIES
The NFTS want to encourage applications from the brightest and best talent out there….from all backgrounds. We are actively seeking to redress imbalances within the Industry by encouraging applications from under-represented groups, and have bursaries of £4650 on offer to 2 of the successful candidates. Bursaries help towards the cost of the course andwill be awarded to stand out talent who can demonstrate that without this funding they would not be able to afford the course, or who can demonstrate they bring a unique and distinct perspective and voice to the course.
The course is made up of a number of modules and workshops, you learn by ‘doing’ as well as understanding theory and developing a variety of practical and creative skills.
Module 1: Writing and producing sketch shows A sketch needs a premise, a core funny idea that is its reason to exist. As soon as a sketch begins, the audience looks for this premise and it needs to be apparent. You will learn how this works by writing sketches for different shows and getting feedback on them from established sketch performers and producers. You will have your material read by experienced sketch performers, and the chance to have your material performed for an invited audience.
Module 2: Topical one-liners, formats and panel shows. Topical one-liners for Have I Got News for You, The News Quiz and other topical shows is often the entry point for writers. You will learn by a mixture of practice, theory and feedback, the basics of writing topical jokes. You will learn how to develop your own format or panel show idea.
Module 3: Radio Comedy Many comedy writers and producers have worked in both television and radio with many shows starting out on radio and moving to television. It is the entry point for many established comedy writers and producers. You will develop and test your skills by developing material for Radio 4 and pitch ideas to radio comedy producers.
Module 4: Writing/Producing an existing sitcom You will learn about writing for a situation and a bunch of characters that already exist, concentrating on pitching appropriate story ideas to the creators of those shows. You will also learn about script editing and how to give notes.
Module 5: Writing a TV narrative comedy You will develop an idea for a television narrative comedy (sitcom), pitch it, and write the first draft of a script.
Module 6: Graduation project Working on your own, or in a pair, you will develop a sitcom, comedy drama or sketch show for TV or radio. You will write one episode, and either shoot a taster tape or have some scenes performed by professional actors or produce a radio show.
Comedy course participants will have full access to the NFTS’ optional creative stimulus strands, including: Passport to Cinema (weekly screenings of classic and pre-release films in the state-of-the-art campus cinema); and NFTS Masterclasses (major creative figures from film, television and games screening their work and discussing with students in the campus cinema. Recent speakers include Graham King (producer, Hugo, The Departed), Guy Ritchie (Director, Sherlock Holmes), Danny Boyle (Director, Slumdog Millionaire) and Ian Livingstone (former President and CEO, Eidos).
Many of the people on the course advisory board also teach on the course. In addition the course is supported by Channel 4 commissioners and executives.
In 2015, three of our Writing & Producing Comedy graduates wrote for the award-winning comedy satire show Dead Ringers. Broadcast on BBC Radio 4, the show’s award highlights include a Sony Gold Award, and Best Radio Show at the British Comedy Awards.
2016 graduates ED AMSDEN and TOM COLES are now part of the lead writing team on Radio 4’s Dead Ringers, and have contributed material to BBC One’s Have I Got News For You. They have also written for The Now Show and The News Quiz on Radio 4, and worked as script editors on Newsjack on Radio 4 extra.
Applicants must have comedy talent and have evidence that bears this out.
Applicants do not necessarily have to have a university Bachelors degree to apply for the course, but must be able to: demonstrate a knowledge of television/film; provide details of past achievements; demonstrate a clear focus for their future ambitions; and, crucially, show a passion for comedy.
If you are not an EEA National, you must already be in possession of a UK visa valid for the duration of this course. We are unable to accept your application if you do not.
- Two TV or radio sketches of no more than 400 words each. One of these should be set on a space station.
- An outline for a comedy series, no more than 600 words
- A joke suitable for HIGNFY or 8 out of 10 Cats host script for 2 specified news stories (full details on the materials sheet when you apply). ALTERNATIVELY write a third sketch (400 words max).
How to Apply
Last few places remaining! Please contact registry via email stating your name, course of interest and contact details to be considered for one of the last remaining places on this course:
- 18 Month Course
- Course starts in January
- Next intake: January 2018
- UK and EEA applicants only