Our credits tell the story.

Oscar Winning Screenwriter Simon Beaufoy Discusses the Timeliness of ‘Battle of the Sexes’ and how his Films are about “Love and Hope”

Oscar, BAFTA and Golden Globe winning screenwriter, Simon Beaufoy (Slumdog MillionaireThe Full Monty127 HoursSalmon Fishing in the Yemen) delivered a thought provoking masterclass at the NFTS hosted by the School’s Head of Screenwriting, Brian Ward. Prior to the Q&A, students were treated to a screening of his well-received latest film, Battle Of The Sexes, which is directed by Little Miss Sunshine directors Valerie Faris and Jonathan Dayton and is based on the true story of the 1973 tennis match between world number one, Billie Jean King and ex-champ and serial hustler, Bobby Riggs.

Critics have widely praised the film with Variety describing it as “boisterously entertaining” and Empire summing it up as “a light, funny, blissfully entertaining flick about heavy, sadly still relevant themes”. It is to the relevance of the time that Simon spoke to first: “Every issue that Billie Jean King was fighting against then has popped up again.” Simon met with Billie Jean King to discuss the project and persuaded her that the film couldn’t be made without dramatizing her private life as well as the match between her and Bobby Riggs. He explained: “It was very important to get that part right and makes it possible for non-tennis fans to enjoy the film as it’s about relationships. She was so open and up for the challenge of telling her story; she was a fantastic collaborator.”

Brian asked Simon how he dealt with researching Bobby’s character as he is no longer with us. Simon replied: “I took my cues from Billie as she was friends with him until he died which is strange given the awful things he said. Billie described Bobby as a clown and an actor playing a part and his coach who I also spoke to said everyone loved him and that he had a strange innocence and nothing was done with malice. It was the Jack Kramers (Head of the US Lawn Tennis Association) of life according to Billie who were the real misogynists and hard to combat.”

One of the students asked Simon how he gets people to open up and achieve such a level of honesty in his films. Simon puts this down to starting life as a documentary director, “I am just nosey! For example, with Slumdog Millionaire, I couldn’t just parachute into Mumbai and say I understand your life. I asked people there what they would shoot a film about. In fact all the stories in Slumdog came from other people. I could have written that film five times over with the stories I heard. I’ve learnt how to shape the stories and decorate them. Everyone’s life is fascinating, you just have to dig around and listen. With Battle of the Sexes, I had my arcs of story for each of the themes: Sports, love story and politics and had to create a symphony of them interweaving.”

Billie was very clear she wanted her husband, Larry to come across as a good man. Simon took this request to heart so much that he is “one of my favourite things in the film; he comes across with so much dignity.” 

Simon then talked about how he likes his films to have layers but also attract the broadest possible audience: “For example, with The Full Monty, people thought they were going to see a film about stripping but the stripping was the Trojan horse as the film was really about the disenfranchisement of men.” And on how to deal with a story where the audience knows the outcome, Simon had the following to say: “You have to get people so involved in the story so they forget what’s coming up whether it’s the guy in 127 hours cutting his arm off or Billie winning the match with Bobby.”

Replying to a Directing student asking about how to best work with screenwriters, Simon said: “I’ve realised that storytelling is very elastic; you can push it, squeeze it, twist it and still get what you want but also get what others want into the bargain. My job as a writer is to find the middle ground. It took me a while to have the confidence to see that a story can be told in a million different ways and not to be defensive. You need the ability to stay on course while being flexible; it’s the screenwriter’s job to navigate through to the screen without losing your way.”

Another student commented that all Simon’s films have a love story at their heart and asked if that was intentional. Simon replied: “It’s all about love and hope. They are the two things that keep me going in life. All the great stories are about love and hope.”

Simon’s next project is a 10-part TV series called Trust, which is directed by Danny Boyle and is currently filming. 

Model Making Students Learn Puppet Making with Mackinnon and Saunders

Students on the NFTS Model Making for Animation Diploma have been busy learning the craft of puppet making with tuition and support from top sculptor and puppet maker, Joe Holman. Joe works regularly for course partner, animation producers and puppet makers, Mackinnon and Saunders and has worked on puppets for popular TV shows such as Postman Pat and Bob the Builder and feature films such as Wes Anderson’s Fantastic Mr Fox and Tim Burton’s Corpse Bride and Frankenweenie.

Joe has taken time out of his busy schedule and is spending several weeks with the students to help with the course’s ‘Introduction to Puppet Making Module’. During the module, students build a 1:6 scale animatable puppet to their own design. They learn the process of designing for puppet making and work with ball and socket and wire armatures and make costumes and props to go with their puppets.

The ball and socket armatures the students are working with are made by one of our experienced industry contacts, Julian Clark Studios. Students learn how to make adjustments to the armature such as changing the length of the limbs. Plastacine is used to sculpt and mould a maquette around a wire armature and then a ball and socket armature is added into the mould for movement.

The puppet designs the students have chosen are wide ranging – some are inspired by Mad Max and some are more suitable for children! The next plan is for the Model Making students to collaborate with the Directing Animation MA students to do some animation tests with the puppets prior to starting their graduation films. We are hopeful that next year we will be able to do some animation tests prior to starting work on the graduation.

For more information about the Model Making for Animation Diploma, please visit www.nfts.co.uk/modelmaking

NFTS First Film School to Win Queen’s Anniversary Prize for Higher Education

The National Film and Television School (NFTS) is proud to announce it is the first ever film school to win a Queen’s Anniversary Prize for Higher and Further Education. The NFTS is among twenty-one universities and colleges of further education who were announced as recipients of Queen’s Anniversary Prizes in the current - twelfth biennial - round of the scheme at an event hosted at St James’s Palace by The Royal Anniversary Trust today.

Judges commented that the NFTS was chosen to receive the prestigious award as they were “impressed by the reach and influence of the School in a hugely important sector.”

Jon Wardle, NFTS Director said: “Winning a Queen’s Anniversary Prize is a huge honour for the NFTS and is a fitting testament to the fantastic work our students and staff put in to make the School such a success both nationally and on a global scale.”

The Prizes are part of the honours system and are awarded every two years by The Queen on the Prime Minister’s advice.

Work recognised in this round is wide ranging and includes rail and aviation engineering, costume design, vision problems of children with Down’s syndrome, parent-infant sleep, climate change and environmental protection, women’s health, the English language, agricultural engineering and dairy productivity, cancer drug discovery and drug safety, film and television training, photonics, food and nutrition for health and education for learners with special needs.

The Prizes, unique in the honours system in being analogous to honours to individuals but granted to an institution as a whole (irrespective of the area of work recognised), will be presented in February 2018 by a member of the royal family at a ceremony to be held at Buckingham Palace.  As a national honour the prize carries no cash value, consisting of a silver-gilt medallion and a Prize Certificate signed by HM The Queen.

Sir Damon Buffini, Chairman of the Royal Anniversary Trust said:

“The focus of the Prizes on innovation and practical benefit to people and society is a great incentive to our universities and colleges to think critically about the direction of their work and its application and relevance in today’s world.  The national recognition and prestige conferred by the Prizes also enables individual institutions to win support and leverage funding for their future plans.”

For more information on The Royal Anniversary Trust see www.royalanniversarytrust.org.uk and for the NFTS, please visit www.nfts.co.uk

First Year NFTS Animation Student Wins Best Student Film at Manchester Animation Festival

Cabin Pressure, a film made by NFTS first year Directing Animation MA student, Matthew Lee, has won ‘Best Student Film’ at this year’s Manchester Animation Festival. The film was made as part of a first year project on ‘Character’ where the Directing Animation MA students collaborate with the Screenwriting MA students to develop characters and write a story about them meeting.

About Cabin Pressure: A safety and regulations obsessive is forced to revaluate things when a routine flight runs into difficulties.

The jury commented: “For its brilliant characterisation, great use of form and material, it is a perfectly crafted little story.”

Matthew Lee said: “It’s a huge honour to win Best Student Film at the Manchester Animation Festival, especially with a film I made as part of a first year project.”

The NFTS Team: 

Directed by Matthew Lee
Starring Wayne Forester, Emma Tate, David Holt 
Written By Matthew Lee, Conor Keane, Karim Khan
Cinematographer: Molly Manning-Walker
Set Design: Sally Hughson
Editor: Mirjam Jegorov
Sound Design: Edward Guy
Composer: Rachael Philip

NFTS Grad Game Nominated for Inaugural Student Game Award at “The Oscars of the Gaming World”

Falling Sky, a graduation game developed and directed by National Film and Television School (NFTS) Games Design and Development MA student, Jonathan Nielssen is one of six games nominated for The Games Awards inaugural Student Game Award.

Hailed by The New York Times as “The Oscars of the gaming world”, The Games Awards, which takes place in Los Angeles on Thursday, December 7th, is one of the video game industry’s biggest nights. Falling Sky is the only game developed in the UK to be nominated in the Student Game Award category, which supports emerging game development talent and will be judged on the excellence and ambition of the game by a panel of notable Games industry figures including:

Todd Howard (Executive Producer and Game Director, Bethesda Game Studios); Hideo Kojima (Director, Kojima Productions); Illka Paananen (CEO and Co-founder, Supercell); Kim Swift (Design Director, EA Motive); Vince Zampella (CEO, Respawn Entertainment).

Jonathan Nielssen said: “It’s a huge honour to have my graduation game nominated for the first ever Student Game Award; I’ve loved every minute of developing Falling Sky with the team at NFTS and this nomination is a fantastic testament to all the hard work everyone has put in.”

Alan Thorn, NFTS Head of Games said: “I’m delighted to see Falling Sky nominated for this highly prestigious award in games. It reflects the incredible talent and hard-work of both Jonathan and his team. The NFTS Games MA is committed to building a creative climate where people from all backgrounds can develop the skills and build the connections needed to become industry leaders making innovative games.”

About Falling Sky: A cinematic 3D mystery game developed at the National Film and Television School and led by Jonathan Nielssen as the director and sole game developer, the project uses Unreal Engine and motion capture technology in the attempt to create an immersive narrative-driven drama with a Twin Peaks’ influence and elements of open world adventure. Set across the sprawling landscape of American suburbia, the story opens with Daniel – a 20 something-year-old university student who come back home one day to find his younger brother Tommy abandoned by their mom. With only a series of cryptic messages to guide them through the weird place Daniel’s hometown has become, the brothers set off on an atmospheric quest to discover the truth behind their mother’s disappearance.

The Team: Developed and directed by NFTS Games Design & Development MA student, Jonathan Nielssen; produced by NFTS Producing MA student, Nikolay Savov; written by NFTS Screenwriting MA student, Mohsen Shah; music by NFTS Composing MA student, Seymour Milton; and sound by NFTS Sound Design MA student, Breen Turner. For full credits, please visit jonathannielssen.com.

The 2017 Games Awards will celebrate the best games, eSports, and members of the gaming community with a live stream available on more than 16 gaming and digital streaming platforms, including localized versions for Chinese, South Korean and Japanese audiences. In addition, fans will be able to vote on select categories using Facebook Messenger, Google Search, Twitter DM, and at TheGameAwards.com.

Press Contact:

Vicky Hewlett, Head of PR and Communications, NFTS:  VHewlett@nfts.co.uk

About the NFTS Games Design and Development MA: Games Design & Development at the NFTS is a world-class MA for future games innovators and encourages students to challenge the meaning of games and interactive experiences. The courses’ diverse students are mentored by industry-experienced tutors and work with cutting-edge technology to develop their visions and ideas into a reality. By exploring the creative bridges between innovative-mechanics, emotional engagement and thoughtful storytelling, the NFTS brings together students from many departments, including screen-writing and cinematography, into a collaborative environment where they develop industry connections. There are still some places available for the MA which has a start date of January 2018 – apply at www.nfts.co.uk/games

UPCOMING EVENT: GRAPHICS & TITLES ONLINE OPEN DAY

Save The Date! Thursday 30th November 2017

Register now for our upcoming Facebook Live open day for the Graphics & Titles for Film & Television Diploma , which takes place on Tuesday 30th November at 1pm.

Join NFTS Graphics and Titles course leader and renowned graphic designer, Hugo Hansell and current student, Xanthe Bondington, who will discuss the course and answer any questions you might have about the 12 month Diploma, which starts in January 2018 and includes a work placement at Sky. So if you’ve got a question about your application, or want some top tips for your interview or just want to know how to succeed in motion graphics and title design, join us LIVE on Facebook @NFTSFilmTV on Tuesday30th November at 1pm.

Find out more about our partnership with Sky and what the students did during their work placement this year:

Read about why shows like Stranger Things and Game of Thrones have turned opening credits from “disposable moments of television” to” an art form in its own right.

Sign up for the open day at www.nfts.co.uk/opendays 

 

Model Making Students Recreate Sets from The Shining

Our new Model Making for Animation Diploma students have well and truly settled in and have been impressing everyone at the School with their amazing recreated sets from iconic film, The Shining. We caught up with Model Making course leader, John Lee to find out more. In addition to running the course, John is an experienced and active model maker in the industry and has created models for films such as Frankenweenie, Fantastic Mr Fox and Isle of Dogs and while developing the course, he was busy working on the upcoming, highly anticipated new Star Wars film, The Last Jedi, which is due for release on the 15th December.”

(Second set from The Shining recreated by the students)

What is the process the students have gone through to make the model of the Shining set?

“Firstly, we screened the film and took frame grabs from two scenes and from those pictures, we created drawings and then worked out the scale from that information. The scale we decided to use was 1:6 because it’s a useful scale for stop frame animation models. It’s not the only scale animators use but it’s a good general scale to make detailed, accurate model sets and puppets and it looks good on camera.”

(Iconic scene from The Shining)

Why did you choose The Shining?

“I happen to really like the film; it’s iconic and it’s a film you can watch repeatedly and get something different out of it each time. Both the imagery and the production design are outstanding; I thought it would make two nice model sets.”

(Students learning how to use the laser cutter)

What techniques did they need to use/ learn?

“The students have had to learn a whole host of new techniques including how to use a wide range of industry standard machinery in our new purpose built workshop. They have learnt machining techniques on equipment such as a lathe, panel/ circular/ band or wall saws and pillar drills plus moulding and casting. The School has never had the benefit of this kind of equipment before and this as well as the Model Making students’ skills should dramatically speed up the whole filmmaking process.”

What were the challenges and how did the students overcome them?

“The challenges the students have had to overcome include learning to work accurately and respect the scale so nothing looks out of place. The purpose of The Shining build was to try and reproduce that live action set accurately at 1:6 and the level of detail necessary to make things look real. They had to accurately recreate the props, the paint finishing and achieve practical lighting so all those things come together to make the shot look real. This will really help the students when they start work on the NFTS graduation films next year as they’ve already experienced making something at that scale with that level of detail.”

What’s next for the students?

“The students have now started a two-month puppet making module. Each student will make a stop frame animated puppet based on their own design. Watch this space for more updates and photos!”

For more information about the NFTS Model Making for Animation Diploma, please visit www.nfts.co.uk/modelmaking

 

NFTS Grad Film Wins 2017 Grierson Award!

17 Alumni Credited Across 4 Winning Categories

(Fawzia Mahmood (Acta Non Verba Producer), Yvann Yagchi (Director) and Aurora Vögeli (Editor))

Congratulations to NFTS Directing Documentary graduate, Yvann Yagchi whose graduation documentary, Acta Non Verba has won a prestigious Grierson Award for Best Student Documentary! Additionally, seven NFTS alumni are credited across three further winning categories including Best Arts Documentary, Best Science Documentary and Best Documentary Series making 17 alumni credits in total across the four awards.

The judges described Acta Non Verba as “a masterful piece of filmmaking with a great score (composed by NFTS Composing graduate, Segun Akinola) and more layers than a Russian doll.”

Written, directed and shot by Yvann Yagchi, Acta Non Verba is an exploration of grief and suicide and the relationship between a father and a son. Producer, Fawzia Mahmood; Writers: Fiction, Kerri Davenport-Burton; Cinematography: Fiction, Thomas Doran; Production Manager, Sonia Hoogenstraaten, Production Manaer: Fiction, Daniella Rice; Editor, Aurora Vögeli; Sound Recordist, Hosea Ntaborwa; Sound Editor & Dubbing Mixer, Morgan Muse; Composer, Segun Akinola.)

Two other NFTS graduation documentaries were nominated for the same award including Chomo (directed, shot and produced by Maayan Arad) and Pride In Rags (directed, shot and produced by Tom Whitaker) and this was the seventh year running that the NFTS had the most films selected in student documentary section.

In addition, a further seven NFTS graduates are credited on three winning categories including:

Best Arts Documentary for Paula Rego: Secrets and Stories, which is written, directed and edited by NFTS alumnus, Nick Willing and produced by NFTS alumnus, Michele Camarda. The judges said: “A wonderfully intimate and human film which managed to capture the essence of the artist and their personal life with great art.”

Best Science Documentary for Forces of Nature with Brian Cox Episode 2 (NFTS credits include: Supervising Sound Editor, Jay Price; Sound, Andy Paddon). The judges praised the documentary as “confident and inspiring TV.”

Best Documentary Series for Exodus: Our Journey to Europe (NFTS credits include: Editors, Simon Sykes; Nick Fenton and Sunshine Jackson). The judges described the documentary as: “bold and timeless series offering perspective that was unprecedented in rawness and humanity.”

For more information on the National Film and Television School, please visit www.nfts.co.uk/documentary

 

 

NFTS to Live-Stream TV Show for the Insta-Generation: ‘Two Girls One Flat’

The National Film and Television School (NFTS) is to live-stream brand new TV show, Two Girls One Flat on weekdays from Friday, November 10th to Thursday, November 16th at 5pm. The format has been developed by its first year Television Entertainment MA students and is a must-watch magazine show for social media junkies.

(Kathryn Goldsmith & Jessica Woods)

The show will be presented by Jessica Woods – YouTube presenter and actress (The Bill; Doctors; Code of a Killer; played Erica in Chitty Chitty Bang Bang at the London Palladium) - and Kathryn Goldsmith - presenter, model and actress (Post Human: An Event; Sariel) - and will centre around two flat mates who talk about the latest art, music and culture trending on social media:

“Welcome to the top floor of late night. A personal edition of arts and culture culled and curated by your two new best friends. If there ever was a time TV needed a new late night magazine show, it was years ago... but we're here now!”

(Fitness online coach, Fiayo Okunribido)

Many of the guests will be social media stars from YouTube, Twitter and Instagram such as Russian calligrapher, Maria Shtelle who has over 3600 followers on Instagram; journalist, Ivan Radford (@iflicks on Twitter); director and photographer, Malia James; poet, Rakaya Fetuga, health and fitness online coach, Fiayo Okunribido; entrepreneur and fashion designer, Laura Jane; and food stylist, @julietalucca. There will be a different band performing on each episode including Demob Happy and Freeze the Atlantic; and a ‘news of the day’ feature called ‘What do you meme?’

(BAFTA-Winning Sound Engineer Eddy Joseph)

Show one will feature a chat with BAFTA-winning sound engineer, Eddy Joseph who won a BAFTA for Best Sound for both Casino Royale and Pink Floyd: The Wall. He also created the sounds for Quidditch in the Harry Potter films!

Two Girls One Flat will be from the NFTS at 17:00 every weekday from the 10th to 16th November 2017. For more information, follow @2Girls1Flat on Twitter. There is also a Twitch channel and a customized Snapchat filter available throughout the week the show is broadcast. Stream live here. To apply for the Directing and Producing Television Entertainment MA, please visit www.nfts.co.uk/tvent 

 

7 NFTS Grads Nominated for BIFA 2017 Awards!

An incredible 7 NFTS graduates have been nominated for this year’s British Independent Film (BIFA) Awards.

The NFTS Producing department is well represented with no fewer than three of its graduates nominated in ‘The Breakthrough Producer’ category. These include: Emily Morgan, I Am Not a Witch; Fodhla Cronin O’Reilly, Lady Macbeth (Fodhla came into the NFTS recently to deliver a fantastic masterclass on Lady Macbeth wiht director, William Oldroyd - read the write up here) and Gavin Humphries, Pin Cushion.

Three further graduates are nominated for their work on I Am Not a Witch, which is about an 8-year-old girl who is accused of witchcraft: Peter Lambert is nominated for ‘Best Editing’; Matt Kelly is nominated for ‘Best Music’ and Maiken Hansen is nominated for ‘Best Sound’.

NFTS Editing MA graduate, Carol Salter, is nominated in the ‘Best Documentary’ cateogory for her film, Almost Heaven, which is about a trainee mortician working in one of China’s largest funeral homes.

In addition to the seven graduates directly nominated for awards, NFTS Directing Fiction MA graduate, John McKay produced ‘Best Short Film’ nominee, 1745, which tells the harrowing story of two African slave sisters who escape into the wilderness of 18th century Scotland.

The winners will be unveiled at the ceremony on Sunday 10 December at Old Billingsgate, which will mark the 20th anniversary of the awards.

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