Assistant Camera (Focus Pulling and Loading)
Duration 1 year
Next intake January 2019
Application deadline Contact Registry
This innovative new course was launched in 2017 to help equip camera trainees with the skills required for a successful career as 2nd and 1st ACs on both film and television drama.
At the completion of the diploma you’ll have credits on a varied selection of films and will have worked on multiple formats to give you the foundation to build your skills as a 2nd and 1st AC.
The course is structured in way to allow people active in the film and television industry to work at their own rate and build their skills around outside work. It has three modules:
- Working with Alexa Mini and Wireless Follow Focuses
- Loading and working with 35mm and Alexa XT and Mini
- Loading and working with 16mm
You can begin the course at Module 1 and you’ll have two years to complete all three modules and earn your industry recognised diploma.
This course allows you to form relationships with the current MA Cinematographers which often leads to work outside the School upon graduation.
All NFTS students can attend the School’s masterclasses programme, with recent guests including Christopher Nolan (Dunkirk, The Dark Knight), Lynne Ramsay (You Were Never Really Here) and Armando Iannucci (The Thick of It, Veep).
What you will study
This course consists of three modules. You can take up to two years to complete all three modules allowing you the flexibility to fit the course in around your work schedule.
- Working with Alexa Mini and Wireless Follow Focuses (Jan-Mar) On this module you’ll be working with Alexa Mini cameras and the W4PU Wireless Follow Focus. The course will be taught at both the NFTS, Panavision and Arri and you’ll get the opportunity to be taught by leading tutors in their fields. This module culminates in the production of 8 short 15 minute films where you and your classmates will act as the 2nd or 3rd AC crews and in some cases the 1st AC.
- Loading and working with 35mm and Alexa XT and Mini (May-Aug) On this module you learn about the various 35mm cameras from the Panalflex to the Arri Studio and LT cameras. You’ll be taught how to load, the relationship between you and the Lab and the differences in workflow of a digital and 35mm film project. This module culminates in the production of 8 20-30 minute films each with a substation production budget. Again you and your classmates will act as the 2nd and 3rd AC crews and where suitable we will be looking for people to step up to the role of 1st AC.
- Loading and working with 16mm (Sept-Oct) This module will be focused entirely on the art of 16mm which has seen a resurgence in recent years. You’ll get to handle cameras ranging from the Arri 416 and SR3s to the Aaton cameras. Again the module will end in the production of 8 short films on 16mm each with medium sized production budget. At this point for those of you who have already done the previous two modules we’ll be looking for as many of you as possible to step up as 1st ACs.
Current or recent tutors
Bob ShipseyVisiting tutor
Credits include 28 Days Later, A Life Less Ordinary and Trainspotting
Oliver StapletonCo-Head of Cinematography
Credits include My Beautiful Laundrette, The Grifters, Shipping News
Jason WingroveVisiting tutor
Credits include Misfits and Hot Fuzz
Every year, our students work on a number of short films.
We are looking for people who are enthusiastic, keen to work hard as part of a team and quick to learn. The course is ideally suited for those people already working as Camera Trainees or as 2nd ACs.
In applying to this course you need to be available to attend the School in January, February (Module 1), from mid-June, July through to mid-August (Module 2) and then September, October (Module 3). The three modules can be completed over a two-year period, and Module 1 must be completed first.
During the three teaching modules students are expected to be at the School five days per week. In periods between each teaching block students should pursue their own professional work to develop their experience.
If you are not an EEA National, you must already be in possession of a UK visa valid for the duration of this course. We are unable to accept your application if you do not.
If you are not sure whether your experience or qualifications are appropriate, please ask the Registry for advice - email@example.com.
How to apply
Application deadline: Contact Registry
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Applicants must complete the online application form and provide a CV of your work in the camera department (no more than two sides of A4).