Duration 2 Years
Next intake January 2022
Application deadline Contact Registry
This course provides a thorough education in editing skills in a professional filmmaking environment – with every student working in their own editing suite.
Head of Editing, Richard Cox ACE, edited Gentleman Jack which was awarded the Best Drama Series 2020 by the Royal Television Society (RTS).
Students will have the opportunity to work on a wide range of practical projects, including animations, fiction films, documentaries, natural history programmes, and commercials.
Students are encouraged to consider their craft as part of the whole process of film and television production and not merely as the final stage. They will collaborate with those in other specialisms to put into practice the skills they learn throughout the course – with all production costs met by the School.
Editing graduates have a high rate of employment on feature films, shorts and television programmes. Many new graduates quickly become editors on independent productions or assistant editors on features or TV drama, while others gravitate to visual effects, promos and i-dents.
All NFTS students can attend Masterclasses. Recent guests include David Fincher (Fight Club), Greta Gerwig (Little Women), Steve McQueen (12 Years A Slave), Edgar Wright (Hot Fuzz), Phoebe Waller-Bridge (Fleabag), Ben Wheatley (Free Fire), Rapman (Blue Story), Louis Theroux, Debra Granik (Winter’s Bone), Denis Villeneuve (Bladerunner 2049), Lynne Ramsay (You Were Never Really Here), Sam Mendes (1917), Asif Kapadia (Senna), Joanna Hogg (The Souvenir), Russell T Davies (Doctor Who) and Walter Murch (Apocalypse Now)
The NFTS is an Avid Education Partner.
This course is industry recognised by ScreenSkills, the industry-led skills body for the UK's screen-based industries, and carries the ScreenSkills Select quality-mark which indicates courses best suited to prepare students for a career in the screen industries.
Recent credits and successes
What you will study
The emphasis of the editing curriculum is firmly on storytelling and the relationship between editor and director. Students learn to apply their craft to the demands of fiction, documentary and animation, creating visual narratives while working with sound, music and, where appropriate, special effects. Workshops with other departments develop concepts of visual storytelling, mise-en-scène, storyboarding, sound design, music and scriptwriting.
In the final year, students will collaborate to make a digital fiction short film, and three graduation films in animation, documentary and fiction.
Head of Department
Head of Editing is Richard Cox ACE. Richard is a BAFTA Award-winning Fiction and Documentary editor. Credits include Gentleman Jack, Trauma, Happy Valley, Doctor Foster, Last Tango in Halifax, Doctor Who.
Current or Recent Tutors
Recent tutors include Claire Ferguson (Aileen: Life and Death of a Serial Killer, Eyes Wide Shut), Ewa J. Lind (The Warrior, Far North), Robin Sales (The Gruffalo, Johnny English) and Barry Vince (The Bounty, Hillsborough, Get Real), Lucien Clayton (Peep Show, Green Wing, Veep, Derry Girls), Alex Mackie ACE (Downton Abbey, Wallander, The Crown, Benediction), Mick Audsley ACE (My Beautiful Laundrette, Dangerous Liasons, Grifters, The Personal History of David Copperfield), Martin Brinkler ACE (Storage 24, 47 Meters Down, Becoming), Nic Chaudeurge (Fish Tank, Still Alice, Black Mirror, Calm With Horses) and David Charap (True Love, The Escape, Tell Me Who I Am).
Every year, our students work on a number of short films.
The Editing course is part of the Post Production department, where we are looking to assemble a group of students with diverse and varied backgrounds. There is no 'typical' student or perfect candidate who conforms to a mandatory list of qualifications.
You are likely to have some industry experience or training in your chosen field. Your background may be in the arts or other media, you might be looking for a further professional qualification or wish to broaden your knowledge of film and video editing, taking you to a higher level of work.
While many applicants will have a degree from a British or overseas university, we will consider applicants who do not have a degree if they have an impressive portfolio, a creative track record or an alternative qualification.
For international students, more information about our entry requirements, including Visa and English language requirements, can be found on our What You Need To Know section of our Students From Abroad page.
As a part of our admissions selection process, following a successful interview applicants are required to attend a selection workshop for five days, which has a fee of £150.
If you have any questions, please email firstname.lastname@example.org.
How to apply
Application deadline:Contact Registry
Applicants must supply a creative video montage of found images (obtained from the television, the internet or another source) or existing film footage edited with a soundtrack. The montage should be between 2 and 5 minutes running time, edited by the applicant. Please submit Vimeo links.
Additionally, once we receive and review your application and creative montage, we will provide you with a link and password via email, to download selected rushes of an NFTS first year short drama student film. You will be asked to edit the film from these rushes, following the shooting script supplied. Please add music and sound effects where you feel appropriate. When the email containing the link is sent to you, you will be given a 7 day window to complete and return. Once the edit is completed, you are required to upload to Vimeo and send the link to email@example.com
Please note. You may not receive the email containing the link as soon as you submit your application. Please bear with us and it will be sent as soon as we have reviewed your application.
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