Our credits tell the story.

Digital technology has transformed the editing process, yet it has also dramatically diminished the role of the assistant editor so that opportunities to learn the art of editing as an apprentice are increasingly hard to find.
  • Unique course in UK.
  • Creative and technical skills developed.
  • Study in a collaborative, filmmaking environment.
  • Students assigned individual editing suites.
  • The NFTS is an Avid Education Partner.
  • Unlike other schools, all production costs are met by the School.

We welcome EU/EEA Students. Those accepted onto courses starting in 2017 and for the following intake in 2018 will have their fees guaranteed at the UK rate for both years of the course. Postgraduate students can apply for a loan to help with their studies via the Student Loans Company Loans. A £ 10,000 loan is available to contribute to course and living costs. The Post Graduate Loan is only open to EU/EEA and UK Students who normally live in England.  It is not currently available to Scottish, Welsh or Northern Ireland Students. Find out more here.

Course Overview

This course commences in January each year. This course provides a thorough education in editing skills in a professional filmmaking environment. Editing students are encouraged to consider their craft as part of the whole process of film and television production and not merely as the final stage, making them true collaborators, not just efficient technicians.

The emphasis of the Editing curriculum is firmly on storytelling and the relationship between editor and director. Students learn to apply their craft to the demands of fiction, documentary and animation, creating visual narratives while working with sound, music and, where appropriate, special effects. Workshops with other departments develop concepts of visual storytelling, mise-en-scène, storyboarding, sound design, music and scriptwriting.

Editing graduates have a high rate of employment on feature films, shorts and television programmes. Many new graduates quickly become editors on independent productions or assistant editors on features or TV drama, while others gravitate to visual effects, promos and i-dents. One recent graduate was joint winner of the Best Young Editor Award at Broadcast Magazine's B+ Awards. Recent graduate editing credits include Florence Foster Jenkins, Our Kind of TraitorThe Queen, Hannibal Rising, Reprise at the cinema and Downton Abbey, Paul Merton in China, Holby City, Hustle, CSI: Crime Scene Investigation and Spooks on television.

Curriculum

YEAR ONE

  • With Sound Design and Composing students Abstract Film Workshop
  • Without Images - a sound-only project
  • Dramaturgy Workshop - focusing on script and script analysis, blocking and cover, and performance
  • Modules and workshops include Foundation exercises for fiction and documentary editing
  • Storyboarding workshop with Animation students Short documentary
  • Zen and Beyond - fiction workshop focusing on visual storytelling
  • Comedy Workshop - workshop using rushes from a feature film and focusing on editing for comedy and/or drama
  • Animation Project - developed and produced to a soundtrack Investigative Documentary - the major first year documentary production First Year Film - the major 1st year fiction production collaborating with all other departments
     

YEAR TWO

  • Fiction editing exercise focusing on drama editing and co-editing using complete rushes from a feature film
  • 2nd year fiction production, shot on a digital format
  • Graduation films in documentary, fiction and animation

Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

Tutors

Acting Head of Editing is Robin Sales, whose numerous credits include Walking On SunshineThe GruffaloMiss PotterJohnny EnglishMiss Brown.

Alumni

Editors Lucia Zucchetti (The Queen; Mrs Henderson Presents), Alex Mackie (Downton Abbey; St Trinian's; CSI), David Freeman (The Full Monty), Peter Lambert (A Better Life; New Moon), Nicolas Chaudeurge (Wuthering Heights; Fish Tank; Red Road), Valerio Bonelli (Hannibal Rising; Cemetery Junction; Gladiator), Nick Fenton (Submarine; The Arbor), Claire Dodgson (Minions, The Lorax, Charlie and Lola) and Ewa J Lind (Far North; The Warrior) studied here.

Entry Requirements

The Editing course is part of the Post Production department, where we are looking to assemble a group of students with diverse and varied backgrounds. There is no 'typical' student or perfect candidate who conforms to a mandatory list of qualifications.

You are likely to have some Industry experience or training in your chosen field. Your background may be in the arts or other media, you might be looking for a further professional qualification or wish to broaden your knowledge of film and video editing, taking you to a higher level of work.

Apply With

  • DVD no more than 15 minutes running time, of material originally shot on film or video edited by you the applicant. If dialogue is not in English or the DVD does not have subtitles you should send a dialogue transcript in English via email.
  • creative video montage on DVD of found images (obtained from the television, the internet or another source) or existing film footage edited with a soundtrack. The montage should be between 2 and 5 minutes running time, edited by you the applicant. If you do not have access to an editing facility please create a montage of collected photographs which when laid out together tell a story.

How to Apply

The application deadline has now passed, however there may still be a chance to apply. Please contact registry via email stating your name, course of interest and contact details: info@nfts.co.uk
  • 2 Year Course
  • Full-time
  • Course runs Jan-Dec each year
  • Next intake: January 2017
  • NFTS Scholarships available for UK Students