Duration 2 Years
Next intake January 2019
Application deadline Contact Registry
The production designer plays a vital role in creating real or imagined worlds on the screen. This course develops individual creativity and teaches technical skills essential for a career in film and television.
“The NFTS remains one of the richest seams of creative talent and ideas under one roof.” Paul Kirby, production designer on Captain Phillips, Bastille Day and Kingsman: The Secret Service.
The NFTS Production Design department is a fully equipped design studio, with students designing for live action shoots, using traditional and digital design techniques. They will collaborate with those in other specialisms to make several films and practical projects – with all production costs met by the School.
All NFTS students can attend the School’s masterclasses programme, with recent guests including Christopher Nolan (Dunkirk, The Dark Knight, Interstellar), Lynne Ramsay (You Were Never Really Here) and Armando Iannucci (The Thick of It, Veep, The Death of Stalin).
Recent credits and successes
What you will study
Uniquely in the UK, our MA Production Design students study alongside students of other filmmaking disciplines, engaging in a series of productions where working methods replicate professional practice.
The advent of digital technology has brought in new design tools and ways of working and this course promotes a lively interface between old and new methods. 3D and 2D computer techniques and Concept Art are taught alongside traditional skills such as set sketching, orthographic draughting, design geometry and model-making.
The course offers the opportunity to specialise in Concept Art, particularly in the second year. Design students apply their skills to live action and animation films, television programmes, games and commercials, in the studio and on location, using built sets and green screen. Relevant business and management skills are also taught, equipping students to manage a small art department, its budget, personnel and logistical schedules, studio procedures and set decorating. Studio visits and placements familiarise students with a working art department and inspire them with actual film sets.
Current or recent tutors
Caroline AmiesHead of Production Design
Credits include In the Name of the Father, Land Girls, Ladies in Lavender
Moira TaitSenior Tutor, Production Design
Moira's design credits range widely across film and TV and she has lead and taught in major institutions across Europe
Every year, our students make a number of short films.
Production Design students come from a wide variety of visual backgrounds, including theatre, architecture, illustration, fine art, digital design, interior design and 3D design. Your portfolio submission must demonstrate a strong visual imagination, an aptitude for spatial and 3D design, an awareness of architecture and design for the moving image and exhibit a personal visual language. Experience of film/TV work is not essential but a willingness to work collaboratively and an ability to motivate and lead a team are essential.
While many applicants will have a degree from a British or overseas university, we will consider applicants who do not have a degree if they have an impressive portfolio, a creative track record or an alternative qualification.
For international students, more information about our entry requirements, including Visa and English language requirements, can be found here.
If you are not sure whether your experience or qualifications are appropriate, please ask the Registry for advice - firstname.lastname@example.org.
How to apply
Application deadline: Contact Registry
The application deadline has now passed, please contact registry via email stating your name, course of interest and email address if you would like to be added to a mailing list: email@example.com
Applicants should apply with the following:
- A comprehensive portfolio of work which demonstrates an aptitude for spatial and 3D design, awareness of architecture, design for the moving image and a personal visual language. Please submit a hard copy portfolio, which can be A4, A3, A2, A1. If you have any questions regarding the content, format or amount of work to submit, please contact the Production Design department at the NFTS or Registry.
- CAD work – printouts (optional extra submission)