Sound Design for Film and Television

Master of Fine Art

MFA - 2 Years Full-time

Main Campus In person

Applications are now closed for 2026 entry

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Sound Design for Film and Television

COURSE OVERVIEW

Sound design is the emotional heartbeat of a film, TV show or game. 

A soundtrack has the ability to make you feel scared, to be uplifted, to bring you to tears, to build tension and release joy. At the NFTS, we marry together training in the technical skills of sound design with a passion for telling stories through sound.

Grace Wong in the mix for NFTS graduation film Build Me Up
Quotation marks

"The course is challenging but it was the best thing I did for my career. It gave me that confidence and a space to learn and fail and grow."

Grace Wong
2021 Graduate and Motion Picture Sound Editors Golden Reel Award Winner

"My experiences at the NFTS have given me so much confidence, not just with the technical skills but also the language skills to speak about sound from a story point of view.”

Louise Burton
2018 Graduate, credits include Bohemian Rhapsody and Moonage Daydream

Content Tabs

At the NFTS, you’ll get to work in industry-standard facilities and learn all aspects of audio post-production, developing the techniques and creative awareness required to work as a professional sound editor, sound designer and dubbing mixer.

You will also have the opportunity to use your skills to tell real stories, collaborating with students including composers, production sound, editors and directors on a range on genres across film, television and games.

 

COURSE FACILITIES

NFTS Sound Editing suites are fully equipped with Apple computers, Protools, key industry plugins, LCR or 5.1 monitoring from PSI, and S1 mix controllers. Our Dubbing Theatres are kitted out with Industry standard Avid S6 and S4 mixing consoles. The studios are Dolby approved, with JBL Monitoring and ProTools Digital Audio Workstations. Our largest Dolby Atmos dubbing theatre is based in the original Anvil recording studio, where many famous scores were recorded, including those for the Hammer Horror films. 

We also have a dedicated Music Recording Studio for recording live music and foley.

We are excited to announce this MFA course is part of an innovative slate of new qualifications from 2025/2026. Our A Fresh Take page tells you all you need to know!

Funding Available

The NFTS awards more scholarships and bursaries to British students, relative to the size of our student body, than almost any other educational institution in the UK. If you’re successful at gaining a place on the course, you will be contacted by our funding team with details on how to apply for one of these scholarships.

Upcoming Events

Tutors

Student Showcase

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Play video
Brutal (trailer)

2022 graduation film

Director/Writer - Jordan Chandler

Producer - Richard Priseman

Sound Designer/Dubbing Mixer - Dan Hibbert

Production Sound Mixer - Max Riches

1st Assistant Sound - Zac Dixon

Brutal has been nominated for Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award) at the Motion Picture Sound Editors (MPSE) Golden Reel Awards 2022.

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Play video
Do Not Feed the Pigeons (trailer)

2021 graduation animation

Director - Antonin Niclass

Producer - Jordi Morera

Sound Designer/Dubbing Mixer - Joe De-Vine

Composer - Fabio Amurri

Do Not Feed the Pigeons won the award for the Postgraduate Craft Skills, Sound category at the Royal Television Society Student Awards.

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Play video
Build Me Up (trailer)

2021 graduation animation

Director - Steve Lawson

Producer - Emma Hanson

Sound Designer/Dubbing Mixer - Grace Wong

Composer - Moritz Wanger

Build Me Up was the seventh consecutive win for NFTS at the Motion Picture Sound Editors (MPSE) Golden Reel Awards, winning the Verna Fields Award for Student Filmmakers in 2021.

Graduate success

The Devil's Hour Series 2

Graduate credits include: Johnny Allan (Director/Executive Producer); Carlos Catalan (DoP); Markus Andreas (Sound Effects Editor); Louise Burton (Supervising Dialogue Editor); Payam Hosseinian (Sound Designer/Supervising Sound Editor); Max Fullerton (Camera Trainee).

The Devil's Hour Series 2

Slow Horses

Graduate credit include: Martin Jensen (Sound Re-Recording Mixer), Eve Finnie (Draughtsperson), Paulina Camacho (Set Decoration Draughtsperson), Radek Sienski (

Slow Horses

Adolescence

Graduate credits include: Connor Williams and Leila Ali (Casting Assistants), Ashley Sinani and Kyle Pickford (First Assistant Sound), Danny Duke (VFX Executive Producer: Absolute), Raoul Brand (Sound Effects Editor).
 

Adolescence

Saltburn

Graduate credits include: Louise Burton (Dialogue Editor); Liam Cotter (Boom Operator); Nina Rice (Sound Mixer); Guldem Masa (Assistant Sound Editor); Ashley Sinani (1st Assistant Sound: 2nd Unit); Dillan Nicholls (VFX Supervisor); Doychin Margoevski (Colourist: Dailies); Rachel Stollery (Assistant Accountant); Cristina Pagani (Covid Assistant Coordinator)

Saltburn

Back To Black

Graduate credits include: Dayo James (Sound Design Editor)

Back To Black

Gladiator II

15 Graduate credits include: Ana Martinez Fernandez, Sara Taddei, Damian Galan Alvarez, Emanuela Piu (Assistant Art Directors); Kim Frederiksen (Senior Concept Artist; Jessica Sinclair (Concept Artist); Thomas Goodwin (Senior Draughtsman); Dan Snape (Visual Effects Supervisor: ILM); John Seru (Lead Digital Artist: ILM); Lawrence Dowell-Phillips (Crowd Second Assistant Director);  Maggy Horiuchi (Assistant Accountant).

Gladiator II

Top Gun: Maverick

Graduate credits include: Simon Chase (Dialogue/ADR Editor), Sofia Guitto (Production Coordinator: Additional Photography), Olivia Jeffery (Post Production Sound Co-ordinator), Peter Warnock and Maiken Hansen (Sound Effects Editors)

Top Gun: Maverick

Bridget Jones: Mad About The Boy

Graduate credits include: Suzie Lavelle (Director of Photography), Elo Soode (concept artist), Jelle Rebry (Assistant Art Director), Erin Millican - Second Assistant Sound, Louise Burton (ADR Editor), Olivia Jeffery (Post-Production Coordinator), Sean Frost (Cast), Sven Taits (Re-Recording Mixer), Tora Young (Assistant to Ms Zellweger).
 

Bridget Jones: Mad About The Boy

Supacell

Graduate credits include: Joanna Crow (Series Producer); Antonio Niculae (Concept Artist); John Bretherton (2nd Unit DoP); Tian Boyce (Production Coordinator); Martin Jensen (Rerecording Mixer); Conor Thompson (Sound Editor); Ben Goodall & Marios Themistocleous (Sound Effects Editors); James Osborne (VFX Assistant Editor); Barry Coxhead (Key Boom Operator); Jeannine Dowling-Jones (Post-Production Coordinator); Caleb Fosu (Director’s Assistant/Post-Production Assistant).

Supacell

The Crown Series 6

13 Graduate credits, which include: Martin Phipps (Composer), Daniel Greenway & Paolo Pandolpho (Editors), Ian Joseph Crossland (Art Director), Nina Rice (Sound Mixer), Martin Jensen & Stuart Hilliker (Re-Recording Mixers), Daniel Richards (2nd Assistant Sound)

The Crown Series 6

Rye Lane

Graduate credits include: Maiken Hansen (Supervising Sound Editor); Raoul Brand (Rerecording Mixer); Nicola Borsari (VFX Artist)

Rye Lane

Paddington In Peru

Graduate credits include: Una Ni Dhonghaile (Editor), Dario Marianelli (Composer), Robert Malone (Sound Designer and Re-recording Mixer), Alex Collin (Second Assistant Sound), Ashley Sinani (First Assistant Sound: Second Unit), Beth Slater (Prop Modeller), Danielle Rogers (Production Coordinator: 2nd Unit), Darryl O'Donovan (Supervising Music Editor), Louis Linsey (Video Assistant), Ruochen Wang (Compositing Supervisor), Victor Almela (Digital Compositor: Framestore). 
 

Paddington In Peru