Location Sound Recording for Film and Television
Duration 15 months
Next intake September 2020
Application deadline Contact Registry
Scholarships availableBegin your application
This 15-month course - the only one of its kind in the UK - has been developed in response to industry demands for suitably trained production sound professionals.
Internships at the BBC are available for location sound recording students.
Taught exclusively by practising professionals, the course aims to give students high quality training in the theory and practice of recording sound for picture both on location and in our state-of-the-art 4K multi-camera television studio, as well as Fisher Boom training and experience of in-studio music recording and post-production techniques. Students will collaborate with those in other specialisms to make several films – with all production costs met by the School.
Graduates have been employed on recent television productions including Ashes to Ashes, Midsomer Murders and Holby City, and films including Harry Potter and the Deathly Hallows Part 2, World War Z and The Best Exotic Marigold Hotel.
All NFTS students can attend the School’s masterclasses programme, with recent guests including Martin McDonagh (In Bruges, Three Billboards Outside Ebbing, Missouri), Phoebe Waller-Bridge (Fleabag, Killing Eve), Asif Kapadia (Amy, Senna, Diego Maradona), Lynne Ramsay (You Were Never Really Here, We Need to Talk About Kevin), Louis Theroux, and M Night Shyamalan (The Sixth Sense, Glass).
The NFTS wants to encourage applications from the brightest and best talent out there, whatever your background. That’s why we have made scholarship funding available for this course – find out more here.
Recent credits and successes
What you will study
The course offers an unrivalled opportunity to learn the practical skills required for a career in this field, and covers:
- location sound recording techniques for drama and documentary
- sound production for multi-camera television
- music recording in the TV studio
- equipment maintenance and problem solving
The course starts in September with a term of intensive workshops and exercises that prepare students to record sound on shoots with MA students in the following Spring and Summer terms. Alongside location and studio shoots for both documentary, fiction films and television productions, the programme of workshops and tuition continues throughout the course. Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget.
Current or recent tutors
Simon ClarkHead of Location Sound Recording
Credits include The Crown, Mars and Wolf Hall.
Every year, our students work on a large range of short films.
A proven interest in sound - particularly recorded sound - a lively interest in film, television and music and a willingness to work as part of a team are essential. We are looking for people who are practically minded and who have a good general education although there are no specific educational requirements for this course. Interpersonal skills are as important as practical ones, because sound recordists need to be able to work effectively as part of a team. You’ll also need to be fit and have plenty of energy, as sound recording can be physically demanding.
While we don’t select applicants on the basis of their ability to drive, we strongly recommend that you learn to drive, as a clean, current, driving license will be essential in your future career.
While many applicants will have a degree from a British or overseas university, we will always consider applicants who do not have a degree if they have an impressive portfolio, a creative track record or an alternative qualification.
If you are not an EEA National, you must already be in possession of a UK visa valid for the duration of this course. We are unable to accept your application if you do not.
If you have any questions, please email firstname.lastname@example.org.
How to apply
Application deadline: Contact Registry
Applicants must supply the following:
- Please tell us of an event or production that you have recorded or one that you have experienced and would like to have recorded. Include information on what preparation you did and what you would have done differently. What inspired you about the event? No more than one page (A4 paper)
- If you have any work that you would like to share with us please send us the links. However, this is not essential since you may not have had the opportunity to create something yet.
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