Our Tutors Filter by title Filter by course All courses4Skills | NFTS Casting & Contributor Welfare4Skills | NFTS Pathways to Digital Content16mm / 35mm Camera FamiliarisationACES Training for Broadcast TVActing For The ScreenActors - Get Serious About Your ActingA Director's Toolkit: How to Get Great Performances from ActorsAdobe After EffectsAdvanced Skills for 2nd Assistant DirectorsAdvanced Skills for Line ProducersAn Introduction to AdaptationAn Introduction to Short FilmmakingA Practical Guide to Writing Comedy DramaArchive in Contemporary ProductionArt Department: Three Key CraftsAssistant Camera (Focus Pulling and Loading)Assistant Directing and Floor ManagingBBC & NFTS: Introduction To The Role of Production CoordinatorBudgeting on Movie MagicBuilding Confidence and Emotional StaminaBusiness and Leadership ProgrammeCameras for Television ProductionCamera Trainee WorkshopCastingCasting for Factual TelevisionChannel 4 | NFTS Factual Editing CourseCharacter DevelopmentCinematographyColour Grading and FinishingComedy Writing Finding The ToneCommentary Writing for TVComposing for Film and TelevisionComposing for Film and TVCraft EditingCreating Film and TV Characters - An IntroductionCreating The ShortCreative BusinessCreative Directing for History and Arts TelevisionCreative Producers LabData WranglingDeveloping and Pitching DramaDeveloping and Pitching Factual Programmes and DocumentariesDeveloping Long Running Drama Series (Concept to Bible - Package to Completion)Digital Effects with DaVinci Resolve and FusionDirecting ActorsDirecting Actors: An Actor's PerspectiveDirecting Actors For The ScreenDirecting and Producing Science and Natural HistoryDirecting and Producing Television EntertainmentDirecting AnimationDirecting CommercialsDirecting DocumentaryDirecting Drama for TelevisionDirecting FictionDirecting The ComedyDirecting the DocumentaryDirecting TV DramaDirecting Your First DocumentaryDirecting Your First Indie Feature Film LabDirector Prep LabDirectors SeriesDirectors Workshop: How To Get The Best From ActorsDiverse Writers Development ProgrammeDocumentary: Storytelling & FilmmakingDocumentary Production ManagementDocumentary ShootingDocumentary StorytellingDrama DirectingDrama EditingDrama Pitching: A Guide to Verbal and Written PitchesDrama Production ManagementEarly Entrants PathwaysEditingEdit Producer EssentialsEdit ProducingEffective Documentary InterviewsEssential Skills for Assistant Editing in Scripted HETV/FilmFactual Production ManagementFeature Film LabFilm and Disability - What Are Your Options?Film Distribution and International Sales 1.0Film Distribution and International Sales 2.0Filming with a SmartphoneFilmmakingFilm Studies, Programming and CurationFinancing Your Feature FilmFirst Steps into Film and TV: Production AssistantFirst Time Factual ProducingFreelancing for TV and Film: The EssentialsGames Design and DevelopmentGet Ready for Your Location ShootGetting A CommissionHead of ProductionHow to Get A Job in TelevisionHow To Pitch a TV Show: from Concept to Pitch Perfect!How To Write a Factual TV ProposalIndie Games DevelopmentInside PicturesInterviewing for DocumentaryInterview Skills for Factual TVIntimacy Coordination for Film and TVIntroducing AI for Storyboarding, Pitch Decks, Gaming and Creative MediaIntroduction to Colour GradingIntroduction to Directing Continuing DramaIntroduction to Drama Production ManagementIntroduction to Drama Script SupervisingIntroduction to Editing on Adobe Premiere ProIntroduction to Editing on Avid Media ComposerIntroduction to Factual TV Production CoordinatingIntroduction to Filmmaking on a Microbudget Introduction to Film ProducingIntroduction to Games DevelopmentIntroduction to Intimacy CoordinationIntroduction to Lighting for Film and TelevisionIntroduction To Line Producing For TVIntroduction to Location ManagementIntroduction to Location Sound RecordingIntroduction to PodcastingIntroduction to Production AccountingIntroduction to Script Editing for Film and TVIntroduction to Sound Design for Narrative FilmmakingIntroduction to Sound SupervisionIntroduction to Storyboarding for Film and TVIntroduction to the Film and TV Art DepartmentIntroduction To The Intimacy Coordinator Role For ScreenIntroduction to TV DevelopmentIntroduction To Working In ComedyIntroduction to Working in the Assistant Directors' DepartmentJohn Yorke Television Drama Writers AcademyKiller IdeasLine Producing For FilmLocation Management for Film and TV ProductionLocation ScoutingLocation Sound EssentialsLocation Sound RecordingLocation Sound Recording for Film and TelevisionLong Running Drama Series: Concept to Bible - Package to CompletionMaking the Successful ShortMarketing, Distribution, Sales and ExhibitionModel Making for Film and AnimationMotion Graphics and TitlesMovie Magic for FilmmakersMulti-Camera TV Conversion ProgrammeNarrative Directing AnalysisNFTS AcademyNFTS Leeds & Channel 4 Writers CourseNovel AdaptationO'r Sgript i'r SinemaPitching Your Factual Project: How To Get A Broadcaster To Say 'Yes'!Pitching Your Feature Documentary to StreamersPitch SurgeryPodCast Lab: Fact v. FictionPost-Production DemystifiedPost Production CoordinationPost Production SupervisionPost Production Supervision OnlinePractical Sound DesignPrime Video Directors WorkshopProducingProducing Your First FeatureProduction Accounting for Film and TelevisionProduction CoordinatorsProduction DesignProduction Design: The Talents Behind A Film SetProduction Management for Film and TelevisionRunning Your Own Film Production CompanyRunning Your Own TV Production CompanyScheduling on Movie MagicScreenwritingScreenwriting: Finding Your VoiceScreenwriting for Film and TVScript AnalysisScript Analysis and The Magic of FeedbackScript DevelopmentScript Development WorkshopScript Editing TodayScript Reading and ReportingScript SupervisingScript Supervision and Continuity for Film and TelevisionScript Supervision for DramaSculpting In Time (Without A Camera): A 16mm Cameraless Film WorkshopSean Connery Talent LabSecond Assistant Directing for Film and HETVSelf-Shooting - AdvancedSelf-Shooting - IntermediateSelf-Shooting - InterviewingSelf-Shooting - IntroductionSelf-Shooting Accelerator - Supported by Screen ScotlandShooting for Documentary: The Art of Non-Fiction StorytellingShooting for the Edit for Self-Shooters: (240 Seconds Project)Sitcom Writing for TV and RadioSketch Writing for TV and RadioSound Design for Film and TelevisionSound For Television ProductionSound We Can See: An Experimental Optical Sound WorkshopSports ProductionSports Replays: Editorial and StorytellingStar Imagine UK Shorts IncubatorStarting or Finishing Your Script 1-2-1Story StructureStorytelling For AnimationStorytelling for BusinessStorytelling with the Camera for Self-ShootersSupervising Art DirectorsThe Arc Mastery Blueprint: 7 Steps to Powerful ScriptsThe Art of Multi-Camera DirectingThe Director's PrepThe Documentary ConsultantThe Team Lounge - BESPOKE WORKSHOPTV Drama - Creating the BibleTV Formats: Shooting for the EditTV Script Writers ToolkitUnder-Represented Voices Writing LabUnscripted DevelopmentVirtual Production (Filmmaking with real-time technologies)Virtual Writers Room ExperienceVision Mixing for Television ProductionVisual Effects (VFX)Visual Screenwriting and Cinematic StorytellingWorking in the Hair and Make Up Department for Film and TVWorking With ActorsWorking with Children and Young People in Film and TV: Best PracticeWorking with the Streaming Platforms: Strategies for Pitching and ProducingWriting A Micro ShortWriting and Directing The Successful Microbudget Feature FilmWriting and Producing ComedyWriting for TVWriting for TVWriting for TV - An IntroductionWriting the TV Pilot Filter by department All departmentsAnimationAudience EngagementCreative BusinessCameraComposingDesignVisual EffectsDirectingDocumentaryEditingEntertainmentFiction/DramaGamesPost ProductionProductionSoundWriting Visiting Tutor Osbert Parker Filmmaker, Director and Animator Osbert Parker Senior Tutor Elizabeth Hobbs BAFTA-nominated animated filmmaker Elizabeth Hobbs Cinema 4D Tutor Rob Shergold Creative director, broadcast designer and animator Rob Shergold Course Leader for Production Accounting Neil Cairns Production Accountant and Financial Controller for film and television Neil Cairns Visiting Tutor Lucy Sturley Costume maker Lucy Sturley Visiting Tutor Elaine Mackenzie Black Mirror, Unleashed, The Magdalene Sisters Elaine Mackenzie Visiting Tutor Tom Allan 1st Assistant Director Tom Allan Visiting Tutor Tracy Shaw Animation producer Tracy Shaw Visiting Tutor Chris Downham Leading sports producer Chris Downham Visiting Tutor Mick Audsley BAFTA-winning editor Mick Audsley Regular Visiting Tutor Joe Holman Frankenweenie, Corpse Bride, Fantastic Mr. Fox Joe Holman Course Leader for Casting Jane Arnell Casting Director Jane Arnell Visiting Tutor Ewa J. Lind Film editor Ewa Lind Co-Head of Documentary Jo Abel Documentary producer Jo Abel Visiting Tutor Robin Sales Film editor Robin Sales Unity & C# Programming Tutor Ned Birkin Programmer and Unity Developer Ned Birkin Visiting Tutor Graham Hartstone Blade Runner, Aliens, GoldenEye Graham Hartstone Visiting Tutor Jasleen Sethi Documentary director Jasleen Sethi Head of Television Entertainment Simon Broadley Simon Broadley Course leader of Producing Your First Feature Thembisa Cochrane Producer and co-founder of Caspian Films Thembisa Cochrane Course Leader, Post Production Supervision and Post Production Coordination Gemma Nicholson Post production industry professional Gemma Nicholson Course Leader for Script Development Anna Seifert-Speck Script and story editor Anna Seifert-Speck Course Leader for Screenwriting: Finding Your Voice - London Tammy Riley-Smith Credits include Lady M, Delicious and Ain't Misbehavin' Tammy Riley-Smith Course Leader - TV Drama: Creating The Bible / Writing the TV Pilot / Developing & Pitching Drama Peter Ansorge Formerly Channel 4 Head of Drama Peter Ansorge Head of Visual Effects Ian Murphy Senior Compositor and Industry Compositing Instructor Ian Murphy Course leader for Virtual Production (Filmmaking with real-time technologies) and Head of Immersive Becky Gregory-Clarke Becky Gregory-Clarke Visiting Tutor Alex Connock Entrepreneur, MD and author Alex Connock Course Leader - Filmmaking Shakil Mohammed Award-winning short film writer/director Shakil Mohammed Pagination First page First Previous page ‹ Previous … Page 3 Current page 4 Page 5 Next page Next › Last page Last
Course Leader for Production Accounting Neil Cairns Production Accountant and Financial Controller for film and television Neil Cairns
Course leader of Producing Your First Feature Thembisa Cochrane Producer and co-founder of Caspian Films Thembisa Cochrane
Course Leader, Post Production Supervision and Post Production Coordination Gemma Nicholson Post production industry professional Gemma Nicholson
Course Leader for Screenwriting: Finding Your Voice - London Tammy Riley-Smith Credits include Lady M, Delicious and Ain't Misbehavin' Tammy Riley-Smith
Course Leader - TV Drama: Creating The Bible / Writing the TV Pilot / Developing & Pitching Drama Peter Ansorge Formerly Channel 4 Head of Drama Peter Ansorge
Course leader for Virtual Production (Filmmaking with real-time technologies) and Head of Immersive Becky Gregory-Clarke Becky Gregory-Clarke
