Our Tutors Filter by title Filter by course All courses4Skills | NFTS Pathways to Self-Shooting for Factual TV production16mm / 35mm Camera FamiliarisationACES Training for Broadcast TVActing For The ScreenActors - Get Serious About Your ActingA Director's Toolkit: How to Get Great Performances from ActorsAdobe After EffectsAdvanced Skills for 2nd Assistant DirectorsAdvanced Skills for Line ProducersAI Protocols and Practices for Film and TelevisionAn Introduction to AdaptationAn Introduction to Short FilmmakingA Practical Guide to Writing Comedy DramaArchive in Contemporary ProductionArt Department: Three Key CraftsAssistant Camera (Focus Pulling and Loading)Assistant Directing and Floor ManagingBecoming A TV And Film RunnerBudgeting and Scheduling for Unscripted TVBudgeting on Movie MagicBuilding Your TV And Film Career With Side HustlesBusiness and Leadership ProgrammeCamera AssistingCameras for Television ProductionCamera Trainee WorkshopCareer GrowthCastingCasting for Factual TelevisionChannel 4 | NFTS Factual Editing CourseCinematographyColour Grading and FinishingCommentary Writing for TVComposing for Film and TelevisionComposing for Film and TVCraft EditingCreating The ShortCreative BusinessCreative Directing for History and Arts TelevisionCreative Producers LabData WranglingDeveloping and Pitching DramaDeveloping and Pitching Factual Programmes and DocumentariesDeveloping Long Running Drama Series (Concept to Bible - Package to Completion)Digital Animation for Film and GamesDigital Effects with DaVinci Resolve and FusionDirecting ActorsDirecting Actors: An Actor's PerspectiveDirecting Actors For The ScreenDirecting and Producing Science and Natural HistoryDirecting and Producing Television EntertainmentDirecting AnimationDirecting CommercialsDirecting DocumentaryDirecting Drama for TelevisionDirecting FictionDirecting Scripted TelevisionDirecting The ComedyDirecting the DocumentaryDirecting TV DramaDirecting Your First DocumentaryDirecting Your First Indie Feature Film LabDirector Prep LabDirectors SeriesDirectors Workshop: How To Get The Best From ActorsDiverse Writers Development ProgrammeDocumentary: Storytelling & FilmmakingDocumentary Production ManagementDocumentary ShootingDocumentary StorytellingDrama DirectingDrama EditingDrama Pitching: A Guide to Verbal and Written PitchesDrama Production ManagementEarly Entrants PathwaysEditingEdit Producer EssentialsEdit ProducingEffective Documentary InterviewsEntry Level Roles in Film and HETVEssential Skills for Assistant Editing in Scripted HETV/FilmFeature Film LabFilm and Disability - What Are Your Options?Film Distribution and International Sales 1.0Film Distribution and International Sales 2.0Filming with a SmartphoneFilmmakingFilm Studies, Programming and CurationFinancing Your Feature FilmFirst Draft To Shoot: Scheduling For Film And TVFirst Steps into Film and TV: Production AssistantFirst Time Factual ProducingFreelancing for TV and Film: The EssentialsFundamentals of Documentary StorytellingGames Design and DevelopmentGet Ready for Your Location ShootGetting A CommissionHead of ProductionHow To Craft Winning Pitch DecksHow to Get A Job in TelevisionHow To Write a Factual TV ProposalIndie Games DevelopmentInside PicturesIntensive Short Film WorkshopInterviewing for DocumentaryInterviewing for Documentary and Factual FilmmakersInterview Skills for Factual TVIntimacy Coordination for Film and TVIntroducing AI for Storyboarding, Pitch Decks, Gaming and Creative MediaIntroduction to 2D Drawn Animation (Imaginary Playground)Introduction to Camera Gimbals: Rigging and Stabilising ShotsIntroduction to Colour GradingIntroduction to Directing Continuing DramaIntroduction to Drama Production ManagementIntroduction to Drama Script SupervisingIntroduction to Editing on Adobe Premiere ProIntroduction to Editing on Avid Media ComposerIntroduction to Factual TV Production CoordinatingIntroduction to Filmmaking on a Microbudget Introduction to Film ProducingIntroduction to Games DevelopmentIntroduction to Intimacy CoordinationIntroduction to Lighting for Film and TelevisionIntroduction To Line Producing For TVIntroduction to Location ManagementIntroduction to Location Sound RecordingIntroduction to PodcastingIntroduction to Production AccountingIntroduction to Script Editing for Film and TVIntroduction to Sound SupervisionIntroduction to Storyboarding for Film and TVIntroduction to the Film and TV Art DepartmentIntroduction To The Intimacy Coordinator Role For ScreenIntroduction To TV And Film FreelancingIntroduction to TV DevelopmentIntroduction To Working In ComedyIntroduction to Working in the Assistant Directors' DepartmentJohn Yorke Television Drama Writers AcademyKiller IdeasLine Producing For FilmLocation Management for Film and TV ProductionLocation ScoutingLocation Sound EssentialsLocation Sound RecordingLocation Sound Recording for Film and TelevisionLong Running Drama Series: Concept to Bible - Package to CompletionMaking the Successful ShortMarketing, Distribution, Sales and ExhibitionMaximising Your Festival StrategyModel Making for Film and AnimationMotion Graphics and TitlesMovie Magic for FilmmakersMulti-Camera TV Conversion ProgrammeNarrative Directing AnalysisNFTS & 4Skills | Pathways: Shooting for HETVNFTS & 4Skills | Shooting For The EditNFTS & BBC | Female Self-ShootersNFTS AcademyNFTS Leeds & Channel 4 Writers CourseO'r Sgript i'r SinemaPitching Your Factual Project: How To Get A Broadcaster To Say 'Yes'!Pitching Your Feature Documentary to StreamersPodCast Lab: Fact v. FictionPost-Production DemystifiedPost Production CoordinationPost Production for Production RolesPost Production SupervisionPost Production Supervision OnlinePractical Sound DesignPrime Video Directors WorkshopProducer Director: On Location in Unscripted TVProducingProducing Your First FeatureProduction Accounting for Film and TelevisionProduction CoordinatorsProduction DesignProduction Design: The Talents Behind A Film SetProduction Management for Film and TelevisionProtect Yourself From Work OverloadRunning Your Own Film Production CompanyRunning Your Own TV Production CompanyScheduling on Movie MagicScreenwritingScreenwriting: Finding Your VoiceScreenwriting for Film and TVScript AnalysisScript Analysis and The Magic of FeedbackScript DevelopmentScript Development WorkshopScript Editing TodayScript Reading and ReportingScript SupervisingScript Supervision and Continuity for Film and TelevisionScript Supervision for DramaScriptwriting for Film and TVSean Connery Talent LabSecond Assistant Directing for Film and HETVSelf-Shooting - AdvancedSelf-Shooting - IntermediateSelf-Shooting - InterviewingSelf-Shooting - IntroductionSelf-Shooting Accelerator - Supported by Screen ScotlandShooting for Documentary: The Art of Non-Fiction StorytellingShooting for the Edit for Self-Shooters: (240 Seconds Project)Sitcom Writing for TV and RadioSound Design for Film and TelevisionSound For Television ProductionSound We Can See: An Experimental Optical Sound WorkshopSports ProductionSports Replays: Editorial and StorytellingStar Imagine UK Shorts IncubatorStarting or Finishing Your Script 1-2-1Step Up to Production Manager (Unscripted)Story StructureStorytelling For AnimationStorytelling for BusinessStorytelling with the Camera for Self-ShootersSupervising Art DirectorsThe Architecture Of Short Films – Story Design For Short FictionThe Arc Mastery Blueprint: 7 Steps to Powerful ScriptsThe Art of Multi-Camera DirectingThe Art of Multi Camera DirectingThe Art Of Story Discovery: Pre-Writing Strategies For FilmmakersThe Director's PrepThe Documentary ConsultantThe Team Lounge - BESPOKE WORKSHOPTV and Film Career MappingTV Drama - Creating the BibleTV Formats: Shooting for the EditTV Script Writers ToolkitUnder-Represented Voices Writing LabUnscripted DevelopmentUnscripted vs. Drama ProductionUsing Final DraftVirtual Production (Filmmaking with real-time technologies)Virtual Writers Room ExperienceVision Mixing for Television ProductionVisual Effects (VFX)Working in the Hair and Make Up Department for Film and TVWorking With ActorsWorking with Children and Young People in Film and TV: Best PracticeWorking with the Streaming Platforms: Strategies for Pitching and ProducingWriting and Directing The Successful Microbudget Feature FilmWriting and Producing ComedyWriting for TVWriting for TVWriting for TV - An IntroductionWriting the TV Pilot Filter by department All departmentsAnimationAudience EngagementCreative BusinessCameraComposingDesignVisual EffectsDirectingDocumentaryEditingEntertainmentFiction/DramaGamesPost ProductionProductionSoundWriting Head of Animation Robert Bradbrook Credits include Home Road Movies, Dead Air and The Journey Robert Bradbrook Head of NFTS Beaconsfield (Short Courses) Abbey Caton-Packer Abbey Caton-Packer Pagination First page First Previous page ‹ Previous … Page 4 Page 5 Current page 6
Head of Animation Robert Bradbrook Credits include Home Road Movies, Dead Air and The Journey Robert Bradbrook
