Our Tutors Filter by title Filter by course All courses4Skills: Introduction to Podcasting4Skills and NFTS Scotland: Story Producing for Reality and Factual Entertainment4Skills | NFTS Pathways to Self-Shooting for Factual TV production16mm / 35mm Camera FamiliarisationACES Training for Broadcast TVActing For The ScreenActors - Get Serious About Your ActingA Director's Toolkit: How to Get Great Performances from ActorsAdobe After EffectsAdvanced Skills for 2nd Assistant DirectorsAdvanced Skills for Line ProducersAFRO HAIR “On-Set” 5 DAY MASTERCLASS SERIESAI in Film & Television: Creative Opportunities & Ethical RealitiesAI Protocols and Practices for Film and TelevisionAnimation for Film and GamesAn Introduction to AdaptationAn Introduction to Short FilmmakingA Practical Guide to Writing Comedy DramaArchive in Contemporary ProductionArt Department: Three Key CraftsAssistant Camera (Focus Pulling and Loading)Assistant Directing and Floor ManagingAssisting CameraBecoming A TV And Film RunnerBudgeting and Scheduling for Unscripted TVBudgeting on Movie MagicBuilding Your TV And Film Career With Side HustlesBusiness and Leadership ProgrammeCamera AssistingCameras for Television ProductionCamera Trainee WorkshopCastingCasting for Factual TelevisionChannel 4 | NFTS Factual Editing CourseCinematographyColour Grading and FinishingCommentary Writing for TVComposing for Film and TelevisionComposing for Film and TVCraft EditingCreating The ShortCreative BusinessCreative Directing for History and Arts TelevisionCreative Producers LabCreator Incubator supported by YouTubeData WranglingDeveloping and Pitching DramaDeveloping Long Running Drama Series (Concept to Bible - Package to Completion)Digital Content 4.0: Developing & PitchingDigital Effects with DaVinci Resolve and FusionDirecting ActorsDirecting Actors: An Actor's PerspectiveDirecting Actors For The ScreenDirecting and Producing Science and Natural HistoryDirecting and Producing Television EntertainmentDirecting AnimationDirecting CommercialsDirecting DocumentaryDirecting Drama for TelevisionDirecting FictionDirecting Scripted TelevisionDirecting The ComedyDirecting the DocumentaryDirecting TV DramaDirecting Your First DocumentaryDirecting Your First Indie Feature Film LabDirector Prep LabDirectors SeriesDirectors Workshop: How To Get The Best From ActorsDiverse Writers Development ProgrammeDocumentary: Storytelling & FilmmakingDocumentary Production ManagementDocumentary ShootingDocumentary StorytellingDrama DirectingDrama EditingDrama Pitching: A Guide to Verbal and Written PitchesDrama Production ManagementEarly Entrants PathwaysEditingEdit Producer EssentialsEdit ProducingEffective Documentary InterviewsEntry Level Roles in Film and HETVEssential Skills for Assistant Editing in Scripted HETV/FilmFeature Film LabFilm Distribution and International Sales 1.0Film Distribution and International Sales 2.0Filming with a SmartphoneFilming with a Smartphone - Part 1 and Part 2Filming with a Smartphone - Part 2 onlyFilmmakingFilm Studies, Programming and CurationFinancing Your Feature FilmFirst Draft To Shoot: Scheduling For Film And TVFirst Steps in Scripted - pitches, treatments and beyondFirst Steps into Film and TV: Production AssistantFirst Time Factual ProducingFreelancing for TV and Film: The EssentialsFrom Pitch to Premiere: Elements of Producing LabFundamentals of Documentary StorytellingGames Design and DevelopmentGet Ready for Your Location ShootGetting A CommissionHead of ProductionHow To Build An Online AudienceHow To Craft Winning Pitch DecksHow to Get A Job in TelevisionHow To Write a Factual TV ProposalIndie Games DevelopmentInside PicturesIntensive Short Film WorkshopInterviewing for DocumentaryInterviewing for Documentary and Factual FilmmakersInterview Skills for Factual TVIntimacy Coordination for Film and TVIntroducing AI for Storyboarding, Pitch Decks, Gaming and Creative MediaIntroduction to 2D Drawn Animation (Imaginary Playground)Introduction to Camera Gimbals: Rigging and Stabilising ShotsIntroduction to Colour GradingIntroduction to Directing Continuing DramaIntroduction to Drama Production ManagementIntroduction to Drama Script SupervisingIntroduction to Editing on Adobe Premiere ProIntroduction to Editing on Avid Media ComposerIntroduction to Factual TV Production CoordinatingIntroduction to Film ProducingIntroduction to Games DevelopmentIntroduction to Intimacy CoordinationIntroduction to Lighting for Film and TelevisionIntroduction To Line Producing For TVIntroduction to Location ManagementIntroduction to Location Sound RecordingIntroduction to Production AccountingIntroduction to Script Editing for Film and TVIntroduction to Sound SupervisionIntroduction to Storyboarding for Film and TVIntroduction to the Film and TV Art DepartmentIntroduction To The Intimacy Coordinator Role For ScreenIntroduction To TV And Film FreelancingIntroduction to Working in the Assistant Directors' DepartmentJohn Yorke Television Drama Writers AcademyKiller IdeasLine Producing For FilmLocation Management for Film and TV ProductionLocation ScoutingLocation Sound EssentialsLocation Sound RecordingLocation Sound Recording for Film and TelevisionLong Running Drama Series: Concept to Bible - Package to CompletionMaking the Successful ShortMarketing, Distribution, Sales and ExhibitionMaximising Your Festival StrategyModel Making for Film and AnimationMotion Graphics and TitlesMovie Magic for FilmmakersMulti-Camera TV Conversion ProgrammeNarrative Directing AnalysisNFTS & 4Skills | Pathways: Shooting for HETVNFTS & 4Skills | Shooting For The EditNFTS & BBC | Female Self-ShootersNFTS & BBC | Female Self-Shooters GlasgowNFTS AcademyNFTS Leeds & Channel 4 Writers CourseO'r Sgript i'r SinemaOn Set: The Craft Of The Assistant DirectorPackage Your FilmPitching Your Factual Project: How To Get A Broadcaster To Say 'Yes'!Pitching Your Feature Documentary to StreamersPost-Production DemystifiedPost Production CoordinationPost Production for Production RolesPost Production SupervisionPost Production Supervision OnlinePractical Sound DesignPrevent Burnout In TV And FilmPrime Video Directors WorkshopProducer Director: On Location in Unscripted TVProducingProducing Your First FeatureProduction Accounting for Film and TelevisionProduction CoordinatorsProduction DesignProduction Design: The Talents Behind A Film SetProduction Management for Film and TelevisionReal Stories: Directing Real People with Confidence and CareRunning Your Own Film Production CompanyRunning Your Own TV Production CompanyScheduling on Movie MagicScreenwritingScreenwriting: Finding Your VoiceScreenwriting for Film and TVScript AnalysisScript Analysis and The Magic of FeedbackScript DevelopmentScript Development WorkshopScript Editing: From Prep to ProductionScript Editing TodayScript Reading and ReportingScript SupervisingScript Supervision and Continuity for Film and TelevisionScript Supervision for DramaScriptwriting for Film and TVSean Connery Talent LabSecond Assistant Directing for Film and HETVSelf-Shooting - AdvancedSelf-Shooting - IntermediateSelf-Shooting - InterviewingSelf-Shooting - IntroductionSelf-Shooting Accelerator - Supported by Screen ScotlandSet Ready Go: Practical Hair and Make-upShooting for Documentary: The Art of Non-Fiction StorytellingShooting for the Edit for Self-Shooters: (240 Seconds Project)Sound Design for Film and TelevisionSound For Television ProductionSports ProductionSports Replays: Editorial and StorytellingStar Imagine UK Shorts IncubatorStarting or Finishing Your Script 1-2-1Step Up to Production Manager (Unscripted)Stories in SoundStory StructureStorytelling For AnimationStorytelling for BusinessStorytelling with the Camera for Self-ShootersThe Architecture Of Short Films – Story Design For Short FictionThe Arc Mastery Blueprint: 7 Steps to Powerful ScriptsThe Art of Multi-Camera DirectingThe Art of Multi Camera DirectingThe Art Of Story Discovery: Pre-Writing Strategies For FilmmakersThe Business of Film, TV and GamesThe Director's PrepThe Documentary ConsultantThe Team Lounge - BESPOKE WORKSHOPTransferring Creative Skills into Film and Television DramaTurning Fact Into Screen Fiction LabTV and Film Career GrowthTV and Film Career MappingTV Drama - Creating the BibleTV Formats: Shooting for the EditTV Script Writers ToolkitUnder-Represented Voices Writing LabUnscripted DevelopmentUnscripted vs. Drama ProductionUsing Final DraftUsing Sound: An IntroductionVirtual Production (Filmmaking with real-time technologies)Virtual Writers Room ExperienceVision Mixing for Television ProductionVisual Effects (VFX)Working in the Hair and Make Up Department for Film and TVWorking With ActorsWorking with Children and Young People in Film and TV: Best PracticeWorking with the Streaming Platforms: Strategies for Pitching and ProducingWriting and Directing The Successful Microbudget Feature FilmWriting and Producing ComedyWriting Continuing DramaWriting for TVWriting for TVWriting for TV - An IntroductionWriting the TV Pilot Filter by department All departmentsAnimationAudience EngagementCreative BusinessCameraComposingDesignVisual EffectsDirectingDocumentaryEditingEntertainmentFiction/DramaGamesPost ProductionProductionSoundWriting Head of Screenwriting Brian Ward The Interpreter / Death Defying Acts Brian Ward Head of Marketing, Distribution, Sales and Exhibition Clare Crean Experienced film and television International Sales executive Clare Crean Course Leader for Virtual Production and Indie Games Development Alan Thorn Alan Thorn Head of Screen Arts / Course Leader - Film Studies, Programming and Curation Sandra Hebron Previously Head of Festivals / Artistic Director, BFI London Film Festival Sandra Hebron Head of Science and Natural History Peter Leonard Horizon, The Human Universe, Science Britannica Peter Leonard Head of Directing Documentary Peter Dale Previously Head of Documentaries at Channel 4 Peter Dale Head of Production Design Caroline Amies In The Name Of The Father, Ladies In Lavender, Land Girls Caroline Amies Visiting Tutor John Keane A Very British Coup, Hornblower, Anna Karenina, Hideous Kinky John Keane Co-Head of Cinematography Stuart Harris Award-winning Cinematographer of Wetherby and over 4500 commercials / music videos including Pink Floyd's High Hopes. Stuart Harris Co-Head of Cinematography Oliver Stapleton My Beautiful Laundrette, The Grifters, The Shipping News Oliver Stapleton Senior Tutor Kim Noce Winner Information This Is Going To Hurt Kim Noce Head of Animation Robert Bradbrook Credits include Home Road Movies, Dead Air and The Journey Robert Bradbrook Head of NFTS Beaconsfield (Short Courses) Abbey Caton-Packer Abbey Caton-Packer Pagination First page First Previous page ‹ Previous … Page 4 Page 5 Current page 6
Head of Marketing, Distribution, Sales and Exhibition Clare Crean Experienced film and television International Sales executive Clare Crean
Head of Screen Arts / Course Leader - Film Studies, Programming and Curation Sandra Hebron Previously Head of Festivals / Artistic Director, BFI London Film Festival Sandra Hebron
Head of Science and Natural History Peter Leonard Horizon, The Human Universe, Science Britannica Peter Leonard
Head of Production Design Caroline Amies In The Name Of The Father, Ladies In Lavender, Land Girls Caroline Amies
Co-Head of Cinematography Stuart Harris Award-winning Cinematographer of Wetherby and over 4500 commercials / music videos including Pink Floyd's High Hopes. Stuart Harris
Co-Head of Cinematography Oliver Stapleton My Beautiful Laundrette, The Grifters, The Shipping News Oliver Stapleton
Head of Animation Robert Bradbrook Credits include Home Road Movies, Dead Air and The Journey Robert Bradbrook
