VFX - Lighting and Compositing

Master of Arts

MA - 1 Year Full-time

Main Campus In person

Application deadline 2 Jul 2026

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VFX - Lighting and Compositing

COURSE OVERVIEW

Designing shots. Sculpting light. Bringing digital worlds to life.

The MA VFX: Lighting and Compositing is an Industry-focused MA designed to train you to design, light and composite cinematic shots, combining live action and CG.

Working in professional, USD-based pipelines with emerging AI tools, you will collaborate on live productions and graduate with the specialist skills needed for high-end VFX workflows.

What Our Students Create

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At the National Film and Television School – one of the world’s leading film schools – we offer two complementary Master’s degrees in VFX - Environments and Assets and Lighting and Compositing. Each provides a focused pathway into the screen industries: one dedicated to creating the digital worlds and environments that stories inhabit, and the other to designing, lighting and compositing the shots through which those worlds are experienced. Together, they reflect the collaborative structure of the contemporary VFX pipeline and allow you to specialise from day one.

On this course, you’ll learn to design, light, and composite moving images which combine live action and CG lighting with cinematic precision. You’ll learn to think and work like a ‘virtual cinematographer’, mastering the visual language of contemporary screen production. Using Houdini, Nuke and emerging AI-based systems, you’ll develop fluency in shot design, previsualisation, camera layout, lighting and compositing, turning creative ideas into high-impact visual sequences.

You will:

  • Develop expertise in shot design, camera layout, and previz
  • Integrate AI-powered tools into production workflows
  • Work within a USD-based pipeline, reflecting the cutting-edge VFX and animation systems used in industry
  • Gain a professional understanding of lighting and compositing workflows
  • Discover creative control over cinematic lighting design and digital storytelling
  • Experience of collaborative production within a professional pipeline

As an NFTS student, you’ll learn within a working production environment, collaborating regularly with filmmakers, animators, and sound designers on live projects. You’ll work closely with students from Model Making, Composing and Sound Design on major integrative modules, creating hybrid live-action and CG sequences that replicate the pace and precision of professional studio workflows. This hands-on experience prepares you for the teamwork, problem-solving and adaptability required in high-end VFX production.

Taught by working artists, supervisors and innovators from across the film, TV, games and advertising industries, this intensive course combines creative exploration with real-world professionalism.

You’ll also benefit from the research and development work of the NFTS CoSTAR team, part of a UK-wide initiative driving innovation in virtual production and AI-enhanced workflows. You’ll be exposed to new methods and tools as they emerge, learning how to integrate them into your creative and technical practice.

You’ll graduate with a strong, industry-ready portfolio that demonstrates your ability to design, light and integrate cinematic imagery - ready to undertake Lighting Artist and Compositor specialist roles within the VFX industry.

NFTS graduates are in demand at leading VFX studios including Framestore and Industrial Light & Magic, as well as in the fast-growing short-form and advertising sectors, where cinematic VFX is increasingly central to storytelling and brand identity. You might find yourself crafting shots for large-scale fantasy series, creating set extensions for period dramas, or delivering high-concept visual effects for commercials and music videos for studios like Electric Theatre Collective, Selected Works or Time Based Arts.

Upcoming Events

FUNDING AVAILABLE

The NFTS awards more scholarships and bursaries to British students, relative to the size of our student body, than almost any other educational institution in the UK. If you’re successful at gaining a place on the course, you will be given further information on how to apply for one of these scholarships.

Tutors

Adam Arnot profile picture
Daniel Peoples profile picture

"The collaboration, discipline and professionalism you hone whilst at the NFTS is as close as you can get to the industry." 

Adam Arnot
NFTS graduate with credits including Avengers: Endgame, No Time to Die and Wonder Woman 1984

"One of the most unique things about the course is that it’s extremely collaborative and you really get to know the pipeline and how a VFX studio would operate in the Industry."

Daniel Peoples
2023 Graduate

Graduate Success

Mission: Impossible - The Final Reckoning

24 Graduate credits, including: Tom Weaving and Matt Sharp (Art Directors); Declan O''Brien and Yasmin Al-Naib (Assistant Art Directors); Hosea Ntaborwa (Boom Operator); Roman Weisgerber, Adam Arnot, and Ed Turvey (Digital Artists); Luke Hardisty and Rob Rankin (Compositors); Adam Price (Lead Orchestrator); Jack McKenzie (Orchestrator); Simon Chase (Dialogue Editor); Simon Gill (Sound Mixer: second unit).

 

Mission: Impossible - The Final Reckoning

Down Cemetery Road

16 Graduate credits, including: Annika Summerson & Nick Cooke (Cinematographers); Daniel Greenway (Editor); Liam Sharpe & Marios Themistocleous (Sound Effects Editors); Alex Ellerington (Supervising Sound Editor); Ben Goodall (Sound Designer); Marie Fernandes (Post Production Supervisor); Michael Freedman (Visual Effects Editor); Bence Varga & Graham Dorey (Digital Compositors: Rumble VFX); Eloise Tomlinson (Compositor).
 

Down Cemetery Road

Wicked

22 Graduate credits include: Tessa Flanagan, Alice La Trobe, Jason Houssein (Draughtspeople); Richard Henley (Set Dec Draftsperson); Alastair Fleming (Construction Sculptor); Beth Slater (Art Department Model Maker, Prop Modeller);  Simon Hayes (Production Sound Mixer); Ashley Sinani (First Assistant Sound: second unit); Jake Hickey (Second Assistant Sound: second unit); Emily Compton and Harry King (Third Assistant Sound); Charlotte Serena Cooper (Assistant Script Supervisor: Dailies); ...

Wicked

F1: The Movie

12 graduate credits include: Milly White (Assistant Art Director), Huw Arthur (Standby Art Director), Luke Stronach (Art Department Assistant), Jo Vale (Sound First Assistant), Sara Romanelli (Script Supervisor: Second Unit), Tian Boyce (Production Coordinator: Abu Dhabi/Hungary), Laura Briggs (Base 3rd Assistant Director), Robin Yoojin Rhee (Compositor: Framestore), Doychin Margoevski (Colorist Dailies : Company 3).
 

F1: The Movie

Poor Things

Graduate credits include: Ildiko Kemeny and Kasia Malipan (Co-Producers); Antonio Niculae (Concept Artist); Steven X Haber (Set Designer); Dean Koonjul (DFX Supervisor); Dillan Nicholls (Head of 2D: Union VFX); Manuel Perez (Digital Compositor); Zsofia Szemeredy (Sustainability Consultant); Alice Whittemore (Development & Production Executive Film4)

Poor Things

Sinners

Graduate credits include: Eloise Tomlinson (Compositor)

Sinners

The Thursday Murder Club

Graduate credits include: Lorelin Howie (Assistant Script Supervisor: Main Unit), Chris Hopper (Production Coordinator: 2nd Unit), Danny Hambrook (Production Sound Mixer), Michael Sinden (1st Assistant Sound), Freddie Burrows (Assistant Art Director), Rob Rankin (Compositor).

 






 
 

The Thursday Murder Club

Paddington In Peru

Graduate credits include: Una Ni Dhonghaile (Editor), Dario Marianelli (Composer), Robert Malone (Sound Designer and Re-recording Mixer), Alex Collin (Second Assistant Sound), Ashley Sinani (First Assistant Sound: Second Unit), Beth Slater (Prop Modeller), Danielle Rogers (Production Coordinator: 2nd Unit), Darryl O'Donovan (Supervising Music Editor), Louis Linsey (Video Assistant), Ruochen Wang (Compositing Supervisor), Victor Almela (Digital Compositor: Framestore). 
 

Paddington In Peru